FOLIO: Personalities -- The Blog People Page
Breaking Up (With TV Guide) is Hard to Do
Mark Newman
I didn’t use the old chestnut “it’s not you, it’s me” when I broke things off. After all, I was still the same guy I always was, right? She changed, not me. I got used to everything being the way it always was. I was happy. I knew what to expect week after week, month after month.
But then change came and I wasn’t interested in continuing the relationship. And this was a relationship that had lasted as long as I can honestly remember, but things just weren’t right between us. It was time to bring this decades-long relationship to an unceremonious end.
Yep, I let my subscription to TV Guide run out.
For the first More...
Editors vs. Art Directors: Part II
Mark Newman
Apparently my last blog post—Editors vs. Art Directors—really struck a nerve, judging by the number of responses (22 by my last count). When the attacks got personal (name calling, questioning the legitimacy of my own magazine, etc.) it made me realize that there are some pretty deep-seeded feelings on this issue.
The overall point of the last blog was that while the editor and art director are partners, the burden of responsibility always falls onto the editor. I’ve seen a lot more editors than art directors lose their jobs due to a magazine’s poor performance in my care More...
Editors vs. Art Directors
Mark Newman
I have been either lucky or blessed when it comes to art directors because none of mine have been what you would call a “diva.”
Freak, yes. Diva, no.
Let me first say that editors and their magazines would be nothing—nothing!—without their art directors. Every time my art director Catherine delivers me a new layout for Southern Breeze, it feels like unwrapping a gift on Christmas morning. And the same is true for my past art directors: Ellie, Tony, Jonathan, Myra, John, Bob, Carrie et al. All of them artistic geniuses, all of them lifesavers, and all of them know one truth to be self-evident: the editor i More...
What Type of Editor Are You?
Mark Newman
You can divide any given population into two distinct groups: cat people or dog people; Republicans or Democrats; Neil Diamond fans or Neil Diamond haters.
For editors, it's no different—there are Writers Who Edit, and Editors Who Write.
Whichever one you are is irrelevant for the most part, except when it comes to dealing with writers. For fun, I sent out a mass email to colleagues past and present asking them which type of editor they prefer and why. They had some pretty interesting opinions … as writers often do.
Most writers want an editor who will improve—rather than overhaul—what they’ve submitted. Inversely, m More...
Blogging from Wal-Mart’s Magazine Rack
Mark Newman
After reading the news on Friday about Wal-Mart removing 1,000 magazine titles from its nationwide stable, I got to wondering. What can you buy at Wal-Mart? Since I was going to my hometown of Jackson, Alabama this past weekend, what better way to spend a Saturday afternoon than perusing the magazine selection?
Some background: Jackson is a rural town of around 6,000 located in the piney woods of southwest Alabama. The nearest city, Mobile, is an hour away. With the local economy almost wholly independent on a paper mill, the town is one plant closing away from being a statistic. There More...
You Will Be Fired
Mark Newman
I admit that it’s a pretty bleak headline, but it’s the cold, hard truth. Quite the prophet of doom, aren’t I?
“You will be fired.”
That’s the first thing I said to a class of eager magazine writing students at the University of Alabama. I happened to be in Tuscaloosa recruiting a new associate editor for the magazine I was editor-in-chief of at the time, but I added the qualifier: “If you have a typical career in magazine publishing.”
Granted, I was speaking from my own experience (and I had only been fired once at that point) but everyone I’ve known in the industry has been fired, let go, laid More...
A Case for the Generalist—Specifically
Mark NewmanWhen I was kicking around the Manhattan in the 1990s, I was stupefied by some of the attitudes of the folks doing the hiring. For example, let's say I had an interview with the trade magazine Recliner Retailer Monthly.* The editor-in-chief or whoever was interviewing me would be concerned that I didn't have enough "recliner editorial experience" but was impressed by my freelance articles for Armchair Enthusiast* and Couch Aficionado.* I would do my best at convincing the interviewer that as a generalist, I could easily adapt to whatever subject I was dealing with. However, the mechanics of the ins and outs of a magazine were the same.
This attitude was not as prevalent in the world of not-for-profit or association publishing More...
Hiring—and Feeding—Competent Editors
Mark Newman
Aside from Southern Breeze magazine, my company also publishes several travel guides loaded with beautiful color photography and editorial, not to mention a plethora of newspaper and magazine inserts (most with editorial). As you can imagine, there's always something for an editorial staff to do!
All these projects are tackled by me and my assistant editor and editorial assistant. In the past I often turned to my stable of gifted freelancers, but this year the majority of the writing has been done in-house. The difference? My staff.
Last year I only had one staffer whose experience in More...
How Regionals Differ From City Magazines
Mark Newman
As editor-in-chief of a regional magazine-Southern Breeze-I get a lot of other regionals across my desk that I never knew existed. And while all magazines everywhere-with the exception of InStyle and most of the other ladies books-are fighting for ad dollars, our challenge seems wholly unique, even in the regional realm.
Southern Breeze delivers "the good life on the Gulf Coast" so we cover the tropical South along the Gulf of Mexico from Lake Charles, Louisiana to Apalachicola, Florida. Editorially, this is great because More...



















Is It Wrong to Borrow From Other Magazines?
Mark Newman Editorial - 03/30/2008-21:09 PMI wanted to broach the subject that I’m sure many editors, writers, art directors, et al. have come across over the years, and that’s the influence of other publications. I’m not talking plagiarism, just borrowing a good idea.
In the two years that I’ve been at the helm of Southern Breeze I haven’t been trying to reinvent the wheel, but I have been slowly nudging the magazine into a different arena with a more cutting edge, contemporary, and, yes, even urban feel. As a regional/lifestyle publication with Deep South roots, it would be far too easy to continue down the path of least resistance. But the South is changing. So, too, sho More...