Face Up: The Washingtonian
Issue: May 2013
Frequency: 12 times per year
Launched: October 1965
Circ: 124,000 (paid circulation)
Editor: Garrett M. Graff
Creative Director: Michael Goesele
Publishing Company: Washingtonian Media Inc.
D.C.-based monthly The Washingtonian wanted to highlight an age-old community tradition with it‚Äôs May issue: Fairs, festivals and farmers markets.
‚ÄúIt‚Äôs the first time we‚Äôve actually done this as a cover package,‚ÄĚ says creative director Michael Goesele. ‚ÄúA lot of city and regional magazines have been feeling the pinch since 2008, like everyone else, so this is something new and different.‚ÄĚ
The package highlights seasonal, regional events with over 100 listings of local fairs, festivals and farmers markets‚ÄĒletting the publication have an extended touch point with readers because it acts like a guide well beyond the month of May.
‚ÄúWe were going back and forth to try and determine what we wanted to do with the cover because they are three distinctly different things,‚ÄĚ he says.
The team ultimately decided to feature a seasonal theme. Goesele contacted chalk artist Jeff Nelson who created the homegrown look, which was actually a 5x7 foot free-hand drawing that was photographed and scaled down so that it would translate to print.
‚ÄúIn this day and age, everything is produced digitally but deep down we‚Äôre still tactile beings and I think that‚Äôs why magazines will be around for a long time‚ÄĒwe love touching paper,‚ÄĚ says Goesele. ‚ÄúThat‚Äôs why it was very important to me to have the literal mark of the hand on the cover.‚ÄĚ
‚ÄúJeff Nelson‚Äôs artwork is perfectly evocative of the colorful, handmade deliciousness of local fairs, festivals, and farmers markets. It‚Äôs a terrific sell for summertime activities and makes the magazine feel like a resource to save.
‚ÄúI love the boldness of a complete cover take-over, no line of copy is too small for his impeccable lettering. There are no smudges! This richly detailed chalkboard is truly an intricate mix of considered illustration and well-crafted typography, it rolls several jobs into one.
‚ÄúThe result feels as rich and ephemeral as summertime‚Äôs bounty. It makes you want to get out and enjoy those flowers and strawberries as soon as possible. Well done!‚ÄĚ
-Vivian Selbo, design director, Slate
‚ÄúThis is simply stunning! Not only are the graphics and type hand-drawn, but the entire cover right down to the logo and date, is drawn in chalk. In this digital age, I am always in awe of the old-school approach.
‚ÄúCraftsmanship aside, the choice of style and medium marries well to the subject, it really invokes the feeling of warm weather, strolling through the aisles of your local farmers market, and looking at the colorful signs inviting you to buy fresh produce.‚ÄĚ
-Kirstin Krutsch, senior production editor, American Libraries
‚ÄúWashingtonian‚Äôs hand-drawn cover is fun, playful and a welcome departure from the standard newsstand cover design. That said, three minor tweaks would have made a good cover great. The split center cross-strokes on the ‚ÄėF‚Äô and ‚ÄėE‚Äô letter forms (in main headline) are awkward, hindering its legibility. A slight increase in the letter-spacing of the same headline would also help its readability and lessen the density of the cover.
‚ÄúFinally, it would have been best to have the top banner swoop downward over the top right portion of the logo to alleviate the tension between the banner‚Äôs bottom edge and the top of the logo.‚ÄĚ
-Mark Montgomery, senior art director, IEEE Spectrum
Watch the timelapse video of the creation of this Washingtonian cover:¬†
Have a unique ‚Äúcover‚ÄĚ story? Contact senior editor T.J. Raphael at firstname.lastname@example.org.