Face Up: Newsweek
Circulation: 1.5 million
Launched: February 1933
Publisher: The Newsweek Daily Beast Company LLC
Creative Director: Dirk Barnett
Editor-in-Chief: Tina Brown
Making light of a national issue is dangerous territory, but Newsweek dove headfirst into the challenge with its May 14th issue. Featuring a bright-eyed infant clutching a carton of French fries, a left-aligned headline reads, âWhen I Grow Up, Iâm Going to Weigh 300 Lbs. Help!â The feature story targets obesity, a crisis with enough weight (pun intended) that even First Lady Michelle Obama has become involved in the fight against it.
Dirk Barnett, creative director for Newsweek & The Daily Beast, says that the final cover was a direct product of the initial concept. After instructing the publicationâs photo staff to locate a baby with âMichelin Man-like arms and legs,â Barnettâs team created a sketch of the cover.
âWe enlisted two different photographers to photograph our fat baby, but in the end, we came back to the sketch. We felt that it not only nailed the message, but it felt more conceptual in execution and suggested a fantastical, rather than a direct, photo shoot of a fat baby,â Barnett tells FOLIO:.
In the end, a âFranken-babyâ composed of a head from one picture, a body from another and a still-life image of the snack landed on the cover.
When asked if he and his team faced any challenges while producing this cover, Barnett says, âThe trick with this type of cover is to not let it look cheesy and gimmicky. In this case, we sort of embraced the cheese and went a little SPY Magazine on purpose to have a little fun with a tricky, possibly offensive subject.â
âI like the message theyâre trying to portray and the imagery supports the cover line. The scale ratio of the fries to hands seems a bit off, but itâs close enough to not catch at a quick glance across a newsstand and the stark white background gives the image the room it needs to make a powerful impact. However, structurally I think the image could have been improved with a slightly higher crop on the babyâs nether region, so thereâs about half an inch less legs showing, and the babyâs head moved in front of the masthead.
The secondary cover lines donât work for my taste. Iâve had it ingrained in me to never let a hanging hyphen get past proofing. The âbirth-controlâ split seems like an unfinished type element followed by what feels like stagnant typesetting for a newsstand.â
Luke Hodson, director of design, Churm Media
âWhile the subject matter is laudable, and truly the obesity problems do start that early, this photo makes me feel like the baby deserves it. Itâs hard to know how much is messed with in the photo besides the fries from another dimension, but it doesnât seem like the zombie aspect was necessary; a plain old cute baby might have made the point more cannily. The cropping on the bottom edge comes off a bit porny. What if the word âHelp!â was not there? The cover lines might have had a more ominous tone in contrast to the in-your-face image.â
Helene Silverman, art director, Architectural Record
Have a unique âcoverâ story? Contact associate editor Stefanie Botelho at firstname.lastname@example.org.
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