Face Up: Fortune
Issue: December 7, 2009
Publishing Company: Time Inc.
Managing Editor: Andy Serwer
Creative Director: John Korpics
Last minute covers are an all too common occurrence in magazine publishing. But turning around a cover with all original images and a painstaking retouching process is a feat for even the best of them.
The December 7 cover of Fortune āwas originally going to be something else,ā says Fortune creative director John Korpics. āWe had this great, creepy-looking mechanical bug drawing that we were going to use [on Intel being sued], but right before we were going to begin work on the cover, the case was settled out of court and the story got killed.ā
Acting quickly, Korpics enlisted photographer Geof Kern, who was working on another issue feature, āHow To Build Great Leaders.ā
Kern began working on the ābrick manā cover the next morning. The design, based on his earlier featureĀ spread photos, āhad to be cleaner in background than the feature spread in order to have room for cover lines,ā Korpics says. āI think in the original sketch, the brick man was completely finished, but we decided to leave his head unfinished to give the impression that it was hollow and being built as we went.ā
The final brick man image was created through photography and retouching and involved Kern shooting a male model wearing a suit and tie in the studio, who would become āthe map of the future work in post, transforming his contours and their light into brick.ā
He then photographed a brick turned in different directions to the camera and light because āthe man is a contoured landscape, and I knew the bricks would have to make paths around contours in different perspectives, so we had to have many views of the brick with corresponding light quality.ā
The amount of the retouching, however, was significantāKern hasnāt worked on a magazine cover requiring as much as this one. To perfect the brickwork, Kern enlisted retouchers (Imaginary Lines) who worked on each brick, one by one, in Photoshop for three days.
"I love the conceptual illustrated cover and itĀ¹s a great image for the feature story and will appeal to Fortuneās demographic. Aesthetically, the cover is too busy for my taste. With all the repetitiveness of the bricks, pinstripe, pattern of the tie and textures of the type my eyes just want to move on and not read the text. There are too many typefaces for my eyes to focus on what to read. Iām not sure where to go and there is no real domination of the feature story headline. It might have been saved with the lines on the left being smaller. Overall I like the cover as a conceptual execution, but think it fails on type legibility."
Holly Holiday | Design Director | US Airways Magazine
"One must admit, this cover is very well executed. Sans type, itās a very impactful image. On a newsstand, it would make you stop, pick it up and see what they are trying to say. I love the idea of leaving the top part of the head remaining open, since it really opens up a lot for interpretation. The Fortune masthead really jumps off the page here, itās very clean and has a nice backdrop for it to rest upon. The main cover lines could be in a bolder face to stand out from the rest. Yes, they are larger, but there is a bit of competition here with the inside story lines. The āPlusā lines could be a smaller point size with no Italics. On a positive note, they wrap around our main image here very nicely. Bottom line, this is strong on impact and straight to the point."
Scott Valenzano | Art Director | Investment Advisor