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Hiring—and Feeding—Competent Editors

Sadistic edit tests, ‘kill or be killed’ mantras, killer margaritas.


Mark Newman By Mark Newman
12/21/2007 -10:09 AM






Aside from Southern Breeze magazine, my company also publishes several travel guides loaded with beautiful color photography and editorial, not to mention a plethora of newspaper and magazine inserts (most with editorial). As you can imagine, there's always something for an editorial staff to do!

All these projects are tackled by me and my assistant editor and editorial assistant. In the past I often turned to my stable of gifted freelancers, but this year the majority of the writing has been done in-house. The difference? My staff.

Last year I only had one staffer whose experience included weekly newspapers and an internship at a mediocre local magazine. On paper, her experience was ideal. Reality was a different story. Rather than regale you with tales of her sour attitude, arrogance ("I didn't get a journalism degree for this!"), and ineptitude, I'll cut to the chase: she resigned a week before she was to be fired, thankfully.

When it came time to hire new employees, I found that I had an embarrassment of riches. From newspaper veterans in Louisiana to trade magazine editors in New Jersey to college seniors from all over the Southeast, my cup runneth over. This was a big change from the last time I hired which was in Manhattan in 1999 where one kid got a job for just showing up! This was at the height of the dot-com boom and we all know how that worked out!

I was determined to hire people who had a desire to prove themselves without the know-it-all attitude that comes after working a mere two years in the real world (I was there too, so I know of what I speak).

The first step, of course, was the interview while the second, more arduous step was an editing test. It took the applicants over two hours to complete and Catherine, my art director, called me a sadist after she saw it. I admit that I'm glad I never had to take this test but I was determined to get the right people for the job.

My new and improved staff now consists of an editorial assistant who began six months ago as an intern and an assistant editor with a spanking new M.A. in English. They both aced the editing test while, surprisingly, the candidates who did the worst were those who had been working in newspapers for a number of years, which proves experience isn't everything.

Since my new staffers have made my life easier, I am doing my best to reciprocate. Although I cannot fully control their salaries, I can control their work environment, especially since we all share the same office. It's not as cramped as you may think. Luckily my years as managing editor with a commercial buildings magazine came in handy and I repurposed the office myself, creating three separate work areas that allow for easy communication, but also for a modicum of privacy.

Aside from the physical work environment, I have established a trusting boss/employee dialogue in order to help them learn things about the magazine world; I share knowledge not just about the best way to conduct an interview or proper style, but also on the intricacies of the work world that the rest of us have become so accustomed to: office politics, etiquette, career growth, etc. I am trying to be the type of boss I would like to have; it's a variation on the "golden rule" we were all taught as kids: do unto others... Let's face it, all too often the mantra in the office is more akin to "kill or be killed" and not just in those Devil Wears Prada extremes.

Don't get me wrong: it's not all Valentines. When I close our office door, they know they're in for a "good talking to." So far, those incidents have been rare (I can only think of one off the top of my head), but they know I am serious and that if said mistakes are made again, there will be consequences. This also helps me communicate exactly what I expect from them and how seriously I take our mission.

Also, once a month we all go out to an "editorial meeting" which is simply a lunch at a local restaurant where they are free to discuss anything at all with me without any fear of reprisals. The lunch comes out of my own pocket but it is an investment I am more than willing to make. When the right staff comes along, you need to do all you can to keep them happy. Sometimes it's money, sometimes it's just being able to talk to them and treat them fairly. And honestly sometimes it's just a round of margaritas at El Toro!

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Mark Newman By Mark Newman -- Mark A. Newman is the Editor of regional/lifestyle/travel publication Southern Breeze, which covers “the good life on the Gulf Coast.” He also serves as Editorial Director for Compass Marketing, the magazine’s parent company, based in Gulf Shores, Ala. Newman has over 15 years of publishing experience working on both magazines and newspapers.

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Wow, you're the editor of Southern Breeze?
Submitted by You Know on Fri, 12/21/2007 - 14:06.

I've seen Southern Breeze at it's awesome! Come to think of it, I've met the editor and he's pretty awesome too! What a talented guy.
Not to flatter, but more of us need strong editors like you
Submitted by Peregrine on Fri, 12/21/2007 - 17:05.

As a newly-minted EA (18 months precisely), I have to say that I wish all of us newbies had good mentors. I studied Lit in school, and except for one sorry poem in high school, had never been published before I was hired at my current mag (a luxury shelter title specific to a major metropolitan area). I have no mag or newspaper experience other than the calendar/product blurbs I do here, so I'm lucky to be getting bylines at all. However, neither my editor nor my publisher really knows how to manage or communicate their expectations, and our "meetings" take place about twice a year. As you might imagine, they leave me more frustrated than before. After 18 months, I have no new challenges, no new projects, no good feedback, and no platform to discuss my ideas and questions. I've asked for all these things and been rebuffed. I would like to take on more, and I KNOW that I will flub them from time to time due to my inexperience. But I have so much to learn (both on business and editorial sides), and it frustrates me that I don't have the opportunities to do so. I would almost rather have "the devil in Prada" above me, because then I would at least walk away with some practical knowledge to help me pay for all the therapy! I've talked to a lot of fellow newbies (counted as less than three years in the professional editorial world), and it's the same story for many of them. Any ideas on how to improve our situations?
There are no perfect jobs or bosses
Submitted by Mark A. Newman on Sun, 12/23/2007 - 17:24.

Wow, Peregrine, I'm so sorry to hear about your situation. You seem to be so motivated but it seems like you do not have the support from above to get you were you want--and need--to be professionally. Since you're getting to know your publication so well, it might behoove you to keep suggesting stories over and over and over and over again. In my original blog, I mention the previous staffer I had who was less than stellar. In the whole time we worked together she suggested all of TWO stories--one was woefully inappropriate; I told her to do some research on the other one and she pretty much dropped the ball. Therefore she only had ONE feature in the magazine in eight months. Be persistent and it NEVER hurts to see what similar mags in your field are doing. I great ideas from my other regional editors in chiefs as well as--of all publications--Time Out New York. Once you have a full grasp of what it is your pub is trying to accomplish, its audience, and its focus, hone in on what you think would be a worthy contribution. Also it never hurts to observe current trends. An example: Southern Breeze is doing a Green issue this summer. Since you work for a luxury shelter magazine, the possibilities are endless. From recycled goods, to environmentally friendly carpeting, wall coverings, etc. to how to illuminate a space with energy-fixtures, the possibilities are pretty limitless. However, I'm sad to say that your problem is not unusual. Your bosses probably a.) had bad bosses themselves and never learned how to manage or b.) have been with the magazine so long that they simply don't care. In either case, it's not a fun time for you and I have truly been in your shoes with bosses who were less than visionary. Good luck.
Thanks for the tips
Submitted by Peregrine on Thu, 12/27/2007 - 09:50.

It's most definitely Option B in my office; there's a strong sense of indifference here! Despite the lack of vision, I've pitched a few ideas here and there, some of which have been accepted for front-of-book pieces (gallery openings, museum exhibits, etc). I'd like to get a longer feature soon, so I'm on the hunt for a suitable local project. The Green issue is in March, and I'm pitching a few new angles for that as well. Wish me luck! Thanks for the sympathy and help. It's nice to know I'm not the only one trying to muscle my way in. And I'm taking notes so that when I'm farther up the food chain, I don't treat my assistants the same way. I've had truly magnificent bosses in the past (not in publishing, natch) and I remember how much easier it was for me to really push myself with them. Glad to know that the mag world and good managers are not mutually exclusive. Thanks!
Management with Style
Submitted by Jenny Howard-Maxwell on Fri, 01/04/2008 - 16:50.

I gotta tell you, I worked under Mark A. Newman before my husband got transfered to Colorado, as the traffic coordinator for advertising. I was not in his department but tried to create reasons to meet with the Editorial staff. Previously, most of us who worked there would rather do the work ourselves rather than ask the Assistant Editor. The new atmosphere became open and we were all welcomed with a smile. His employees know their boss will go to the mat for them no matter what. It is a give and take relationship now one worthy of study for those in management.
I Couldn't Agree More...Or Could I?
Submitted by Anonymous on Fri, 01/04/2008 - 18:51.

I agree with Jenny about working with Mark A. Newman. I also worked in the advertising area of a magazine that Mark Newman was the Editor of. I, too, would find reasons to meet with the Editorial Staff once Mr. Newman came in. The atmoshere Mr. Newman cultivated was open and creative. Mr. Newman knows this particular subject matter quite well. He was great at hiring his staff (rarely had to close the door) and was a nurturing boss. Many of Mr. Newman's former employees keep in touch with him to this day. I think that tells you everything you need to know about Mark A. Newman. I look forward to see more blogs from you Mark!

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